Lyzette Wanzer, MFA

A book proposal is an equation: a business case married with a marketing plan that you submit to publishers. In this workshop, students will learn the full spectrum of writing a first-draft proposal: what to include, what to leave out, faux pas to avoid, structuring your proposal in a professional format, and how to demonstrate to publishers that you're a serious writer who understands the 21st century publishing landscape. 

Each week, students will write one draft section of their proposal. They will receive weekly critique on their drafts from the instructor, and they will also workshop sections with one another. Students must have a completed or in-progress nonfiction manuscript, and be comfortable using Word, Google Docs, or Scrivener. This workshop will sell out; early registration is advised. Register now;t

The artist statement is an opportunity to demonstrate that you are a thoughtful, deliberate writer who takes their literary career seriously. You'll need a version of this statement on your grant, fellowship, and residency applications, as well as your author web page. In this class, you'll learn how to cast your work in its strongest, most evocative light.

• You'll read statement examples and learn how vetting committees use them.
• Through a series of exercises, you'll generate ideas on how to talk about your work.
• You'll craft, workshop, and revise your own statement.

Writers will leave with a statement that's ready to impress. This class is open to writers of all genres, including fiction, creative nonfiction, poetry, songwriting, and graphic novels.

A book proposal is an equation: a business case married with a marketing plan that you submit to publishers. In this workshop, students will learn the full spectrum of writing a first-draft proposal: what to include, what to leave out, faux pas to avoid, structuring your proposal in a professional format, and how to demonstrate to publishers that you're a serious writer who understands the 21st century publishing landscape. Each week, students will write one draft section of their proposal. They will receive weekly critique on their drafts from the instructor, and they will also workshop sections with one another in small groups or partners. Students should have a completed or in-progress nonfiction manuscript, and be comfortable using Word, Google Docs, or Scrivener. Reserve your space for this popular offering at https://www.writersgrotto.org/classes-and-events/how-to-write-a-winning-nonfiction-book-proposal-with-lyzette-wanzer

Did you know that it's possible to sell a book on the strength of a book proposal alone—even if you haven't yet finished writing your book? A book proposal is an equation: a business case married with a marketing plan that you submit to publishers. In this workshop, students will learn the full spectrum of writing a first-draft proposal: what to include, what to leave out, faux pas to avoid, structuring your proposal in a professional format, and how to demonstrate to publishers that you're a serious writer who understands the 21st-century publishing landscape. Each week, students will write one draft section of their proposal. They will receive weekly critique on their drafts from the instructor, and they will also workshop some sections with one another in small groups or partners. Students must have either a completed or in-progress nonfiction manuscript, and be comfortable using Word, Google Docs, or Scrivener. Enrollment is limited for this hands-on workshop. Registration is available at https://loft.org/classes/6-week-write-winning-nonfiction-book-proposal

Did you know that it's possible to sell a book on the strength of a book proposal alone—even if you haven't yet finished writing your book? A book proposal is an equation: a business case married with a marketing plan that you submit to publishers. In this six-week workshop, students will learn the full spectrum of writing a first-draft proposal: what to include, what to leave out, faux pas to avoid, structuring your proposal in a professional format, and how to demonstrate to publishers that you're a serious writer who understands the 21st century publishing landscape. Each week, students will write one draft section of their proposal. They will receive weekly critique on their drafts from the instructor, and they will also workshop some sections with one another in small groups or partners. Students should have a completed or in-progress nonfiction manuscript, and be comfortable using Word, Google Docs, or Scrivener.

Reserve your spot at https://grubstreet.org/findaclass/class/craft-a-winning-nonfiction-book-proposal 

Note: Due to conflicts with the AWP Conference, this class does not meet February 6th.